Partch, H.: Historic Speech Music Recordings (enclosure 2)

1. 1
   I am Harry Partch
   0:24
2. 2
   By the Rivers of Babylon
   3:25
3. 3
   Texts and Music: A Wagnerian Wrestling Match
   1:22
4. 4
   17 Lyrics of Li Po: A Dream
   4:34
5. 5
   17 Lyrics of Li Po: An Encounter in the Field
   0:47
6. 6
   17 Lyrics of Li Po: On Hearing the Flute
   1:00
7. 7
   17 Lyrics of Li Po: The Intruder
   1:10
8. 8
   17 Lyrics of Li Po: I am a Peach Tree
   1:26
9. 9
   17 Lyrics of Li Po: With a Man of Leisure
   0:47
10. 10
    17 Lyrics of Li Po: A Midnight Farewell
    1:19
11. 11
    17 Lyrics of Li Po: Before the Cask of Wine
    2:10
12. 12
    17 Lyrics of Li Po: On the Ship of Spicewood
    2:31
13. 13
    17 Lyrics of Li Po: By the Great Wall
    1:56
14. 14
    The Use of English in Serious Music
    0:57
15. 15
    Barstow: 8 Hitchhikers' Inscriptions
    8:26
16. 16
    San Francisco: A Setting of the Cries of Two Newsboys on a Foggy Night in the Twenties
    2:29
17. 17
    Life Is too precious to spend It with important people
    1:29
18. 18
    US Highball: A Musical Account of a Transcontinental Hobo Trip
    26:46
19. 19
    My Heart Keeps Beating Time
    1:36
20. 20
    San Francisco II
    2:50
21. 21
    I'm going to start right off by giving you some sounds…
    0:30
22. 22
    2 Settings from Finnegans Wake: No. 1, Isobel
    2:53
23. 23
    2 Settings from Finnegans Wake: No. 2, Annah the Allmaziful
    2:20
24. 24
    Dark Brother
    7:37
25. 25
    A Quarter-Saw Section of Motivations and Intonations: Prelude to Talk
    2:14
26. 26
    A Quarter-Saw Section of Motivations and Intonations: Introduction to Examples Oo Intonation
    6:05
27. 27
    A Quarter-Saw Section of Motivations and Intonations: Scale of Olympos (Pentatonic)
    1:05
28. 28
    A Quarter-Saw Section of Motivations and Intonations: Enharmonic Scale of Archytas; Separated by 3/2's; Triads
    1:35
29. 29
    A Quarter-Saw Section of Motivations and Intonations: Scale of Pythagoras; Separated by 3/2's; Triads
    1:07
30. 30
    A Quarter-Saw Section of Motivations and Intonations: Ptolemaic Intense Diatonic; Separated by 3/2's; Triads
    0:53
31. 31
    A Quarter-Saw Section of Motivations and Intonations: Ptolemy's Equable Diatonic; Separated by 3/2's
    1:24
32. 32
    A Quarter-Saw Section of Motivations and Intonations: Terpander's Hexatonic
    1:52
33. 33
    A Quarter-Saw Section of Motivations and Intonations: Close Degrees
    1:08
34. 34
    A Quarter-Saw Section of Motivations and Intonations: True and Tempered Triads
    1:23
35. 35
    A Quarter-Saw Section of Motivations and Intonations: Resolutions from p. 186 of Genesis of a Music; Resolution p. 187; "Familiar" Resolution
    2:24
36. 36
    A Quarter-Saw Section of Motivations and Intonations: Fox-Strangeways Resolutions
    2:27
37. 37
    A Quarter-Saw Section of Motivations and Intonations: Tonal Flux from Genesis, p. 188; Tonal Flux from the Letter and Third Chorus of Oedipus; Another p. 188; Tonal Flux from Antiphony of Oedipus, "O
    3:56
38. 38
    A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Antiphony of Oedipus, "O Crowding Woods…"
    2:39
39. 39
    A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Dark Brother, "and we who were lost Are found again…"; "until our hearts Are corrupted, out talent wasted, and our hope
    4:04
40. 40
    A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from the Street, "Down Maxwell Street, where the prostitutes stand in the gloom…", U.S. Highball, "Back to the freights for you
    1:45
41. 41
    A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from the Bewitched
    6:12
42. 42
    A Quarter-Saw Section of Motivations and Intonations: Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; Revelation
    10:42
43. 43
    A Quarter-Saw Section of Motivations and Intonations: Dissonances and Consonance: Coda to Oedipus; Coda to Revelation
    6:52
44. 44
    Bitter Music: June 11, 1935 - Santa Rosa, California
    0:27
45. 45
    Bitter Music: June 12 - Federal Shelter, Stockton
    3:36
46. 46
    Bitter Music: June 13
    1:28
47. 47
    Bitter Music: June 14
    2:22
48. 48
    Bitter Music: June 16 - Harrington Ranch, San Joaquin Delta
    3:27
49. 49
    Bitter Music: June 17
    0:26
50. 50
    Bitter Music: July 4
    3:50
51. 51
    Bitter Music: July 14
    0:49
52. 52
    Bitter Music: July 16
    1:16
53. 53
    Bitter Music: July 19
    1:11
54. 54
    Bitter Music: July 20 - Heading North, Between Sacramento and Redding
    2:23
55. 55
    Bitter Music: July 24 - Federal Shelter, Portland
    2:25
56. 56
    Bitter Music: July 25 - Blue Ox Lodge, Seattle, Washington
    6:15
57. 57
    Bitter Music: July 27
    0:33
58. 58
    Bitter Music: July 29
    0:24
59. 59
    Bitter Music: July 30
    0:28
60. 60
    Bitter Music: August 7 - Between Grants Pass and Klamath Falls, Oregon
    1:56
61. 61
    Bitter Music: August 15
    1:30
62. 62
    Bitter Music: October 22 - Nearing Monterey
    5:01
63. 63
    Bitter Music: October 24 - Leaving Big Sur
    2:32
64. 64
    Bitter Music: October 25 - Near Slate's Hot Springs
    2:56
65. 65
    Bitter Music: October 26
    1:20
66. 66
    Bitter Music: October 27
    0:35
67. 67
    Bitter Music: October 28
    0:17
68. 68
    Bitter Music: October 29
    1:27
69. 69
    Bitter Music: October 30 - Big Creek
    0:53
70. 70
    Bitter Music: November 12 - Santa Barbara
    2:23
71. 71
    Bitter Music: November 14
    0:30
72. 72
    Bitter Music: November 15 - Leaving Santa Barbara
    4:17
73. 73
    Bitter Music: November 16 - Ojai
    0:56
74. 74
    Bitter Music: November 17
    1:02
75. 75
    Bitter Music: November 23 - los Angeles
    0:28
76. 76
    Bitter Music: November 28
    0:18
77. 77
    Bitter Music: December 4
    0:42
78. 78
    Bitter Music: December, 1935
    8:44
79. 79
    Bitter Music: February 1, 1936 - San Bernardino
    4:00
80. 80
    Yankee Doodle Birds
    0:37
81. 81
    Yankee Doodle Fantasy
    3:57
82. 82
    2 Settings from Lewis Carroll: O Frabjous Day!
    3:12
83. 83
    You Are charged with being guilty. Are you drunk or not?
    1:02
84. 84
    Ring Around the Moon, a Dance Fantasm for Here and Now
    9:03
85. 85
    Bless This Home
    3:25
86. 86
    Harrys Wake
    46:25

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