Partch, H.: Enclosure 5

1. 1
   Ulysses Departs from the Edge of the World (Arr. J. Logan)
   6:24
2. 2
   Revelations in the Courthouse Park: Chorus 1
   11:50
3. 3
   Revelations in the Courthouse Park: Chorus 3, in part
   7:25
4. 4
   Revelations in the Courthouse Park, Scene 1, Hymn to Dionysus: Holy Joy and Get Religion
   1:12
5. 5
   Revelations in the Courthouse Park, Scene 2, Hymn to Dionysus: What thE Majority Believes
   1:23
6. 6
   Revelations in the Courthouse Park, Scene 2, Hymn to Dionysus: Glory to the Male Womb
   1:41
7. 7
   Revelations in the Courthouse Park, Scene 3: Chorus 4
   8:15
8. 8
   Revelations in the Courthouse Park, Scene 4: Coda
   6:38
9. 9
   Introduction to King Oedipus
   7:37
10. 10
    King Oedipus: Introduction
    1:58
11. 11
    King Oedipus, Opening Scene
    6:40
12. 12
    King Oedipus: First Chorus
    3:00
13. 13
    King Oedipus, Tiresias Scene (beginning)
    7:59
14. 14
    King Oedipus, Tiresias Scene (continued)
    5:21
15. 15
    King Oedipus: Second Chorus
    1:09
16. 16
    King Oedipus, Creon Scene
    6:27
17. 17
    King Oedipus, Jocasta Scene
    6:12
18. 18
    King Oedipus: Incidental Music
    5:02
19. 19
    King Oedipus: Third Chorus
    1:43
20. 20
    King Oedipus, Messenger Scene
    9:39
21. 21
    King Oedipus: Fourth Chorus
    1:05
22. 22
    King Oedipus, Herdsman Scene
    5:36
23. 23
    King Oedipus, Oedipus Scene
    2:17
24. 24
    King Oedipus: Fifth Chorus
    2:10
25. 25
    King Oedipus: Instrumental Commentary
    2:58
26. 26
    King Oedipus: Antiphony
    2:19
27. 27
    King Oedipus: Exit Oedipus - Pantomime
    7:57
28. 28
    King Oedipus: Final Chorus and Coda
    1:44
29. 29
    Partita in G Major: Menuet
    0:53
30. 30
    Come Away, Death
    3:01
31. 31
    December, 1942: No. 1, Come Away, Death
    2:46
32. 32
    By the Rivers of Babylon
    3:39
33. 33
    Introduction to the Bewitched
    4:05
34. 34
    The Bewitched: Prologue
    18:56
35. 35
    The Bewitched, Scene 1: Background for the Transfiguration of American Undergrads in a Hong Kong Music Hall
    5:00
36. 36
    The Bewitched, Scene 2: Background for the Permutation of Excercises in Harmony and Counterpoint
    5:34
37. 37
    The Bewitched, Scene 3: Background for the Inspired Romancing of Pathological Liar
    5:20
38. 38
    The Bewitched, Scene 4: Background for the Alchemy of a Soul Tormented by Contemporary Music
    5:22
39. 39
    The Bewitched, Scene 5: Background for the Visions of a Defeated Basketball Team in the Shower Room
    4:07
40. 40
    The Bewitched, Scene 6: Background for the Euphoria on a Sausalito Stairway
    4:41
41. 41
    The Bewitched, Scene 7: Background for the Transmutation of Detectives on the Trail of a Culprit
    5:33
42. 42
    The Bewitched, Scene 8: Background for the Apotheosis of a Court in its Own Contempt
    5:35
43. 43
    The Bewitched, Scene 9: Background for a Political Soul Lost Among the Voteless Women of Paradise
    6:00
44. 44
    The Bewitched, Scene 10: Background for the Demonic Descent of the Cognoscenti While Shouting Over Cocktails
    7:30
45. 45
    The Bewitched: Epilogue
    2:02

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