Classics Explained: Ravel - Bolero And Ma Mere L'oye (smillie)

1. 1
   An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Bolero-Introduction; cue to unadorned Bolero rhythm, Pt. 1
   2:29
2. 2
   An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Bolero rhythm, Pt. 2: An extended variation of Pt. 1
   0:07
3. 3
   An Introduction to … RAVEL, Bolero and Ma Mere L'oye: ' Motto ' rhythm complete
   0:21
4. 4
   An Introduction to … RAVEL, Bolero and Ma Mere L'oye: But here we have snare drums and plucked violas and cellos
   0:22
5. 5
   An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 1: Introduction of ' the theme ' by solo flute
   0:37
6. 6
   An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Flute continues with Pt. 2 of theme
   0:48
7. 7
   An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 2: Complete statement of theme by clarinet as flute joins ' motto ' group
   1:30
8. 8
   An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Introduction of ' discordant ' harp into the unfolding picture
   0:18
9. 9
   An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 3: Bassoon introduces closely related variant of theme
   0:34
10. 10
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: ...But then veers upwards, slowing rhythm and introducing new syncopation
    0:59
11. 11
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 4: ' Petite ' e flat clainet takes over theme, including variants
    1:21
12. 12
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 5: Oboe d'amore takes over theme but returns to its original form
    1:34
13. 13
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 6: Theme now shared by two instruments: Uted trumpet and flute
    1:16
14. 14
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 7: Tenor saxophone takes Theme as trumpet replaces horn in ' motto '
    1:39
15. 15
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 8: Theme taken by soprano saxphone, ' espressivo '
    1:09
16. 16
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 9: Theme. Celeste, piccolos and horn; Motto: Flute and French horn
    1:24
17. 17
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 10: Theme. Oboes, horns, clarinets; Motto: Plucked violas and violins
    2:06
18. 18
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 11: Theme taken by First Trombone, complete with jazzy slides
    1:40
19. 19
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 12: Theme. Flutes, oboes, clarinets, sax; Motto: Bassoons, horns, trumpets
    1:13
20. 20
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 13: Violins at last take the main tune, joining massed winds
    1:14
21. 21
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 14: Violins divide into four groups, each ' double-stopping '
    1:04
22. 22
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 15: Trumpet, trombone 2 and tuba join the foreground
    1:18
23. 23
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 16: First trombone and soprano saxophone ' rejoin ' theme
    0:56
24. 24
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 17: Fortissimo; all strings ' double-stopping '; trumpets added
    1:26
25. 25
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 18: Entire orchestra now employed, ' as loudly as possible '
    1:18
26. 26
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 19: Sudden, amazing change of key, lurching from C to E Major
    1:20
27. 27
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Section 20: Key now lurches back to C, as jazzy trombones whiningly protest
    0:36
28. 28
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Cue to complete performance
    0:20
29. 29
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Bolero (complete)
    16:16
30. 30
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Pavane de la Belle au bois dormant-Opening figure on flute; rising, falling, and then reeated
    1:04
31. 31
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Same again, with emphasis on delicacy of scoring
    0:30
32. 32
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Answering variant, accompanied by plucked double basses
    0:19
33. 33
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Reminder of opening figure
    0:18
34. 34
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: ... And now its rhythmical mirror image, or almost...
    0:12
35. 35
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Answering Phrase 2: A near-inversion, over ' James Bond ' accompaniment
    0:41
36. 36
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Pivotal Phrase 3, reversing direction but keeping rhythm of Phrase 2
    0:46
37. 37
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Reprise of Phrases 1 and 2, but with new accompaniment
    0:39
38. 38
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Further Reprise of Phrase 2, now on violin, accompanied by harp
    0:40
39. 39
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Pavane (complete)
    1:41
40. 40
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Petit Poucet (Tom Thumb)-Introduction; Opening, with multi-metre rising scales from muted violins
    0:49
41. 41
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Change of metre continue as solo oboe introduces Theme One
    0:24
42. 42
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Oboe yields to Cor Anglais for Theme Two, against lower (still muted) strings
    0:44
43. 43
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Theme One returns, shared by clarinet and flute, muted horn added to accompaniment
    0:25
44. 44
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: 'Motto' rhythm dominates as intensity increases from lower strings to full orchestra
    0:46
45. 45
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Fear subsides as Theme Two returns, again in Cor Anglais but now in a different key
    0:32
46. 46
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Sensational sound effects evoke a wood at night, with screeches, cuckooing etc.
    0:44
47. 47
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Texture thins; Theme one returns, delicately scored for strings and piccolo
    0:19
48. 48
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: The main part of movement ends, with waltz-like march(!), featuring flute
    0:28
49. 49
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Petit Poucet (complete)
    3:28
50. 50
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Laideronnette, Imperatrice des Pagodes-Introduction; opening bars, followed by Theme One
    2:00
51. 51
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Oriental-orchestral equivalent of an imprial telephone bell
    0:15
52. 52
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: ... Oboe ' answers ' with a very slightly varied version of Theme One
    0:15
53. 53
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Expanded derivative of the ' telephone bell ' interrupts the theme again
    1:00
54. 54
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Fragments of theme in flutes and cor anglais, with ' James Bond ' tag in violins
    0:24
55. 55
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: 'Gamelan ' music from flute and piccolo, accompanied by harp, xylophone and strings
    0:32
56. 56
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Arrival of Empress; upper strings yield to winds, celeste, harp and (very discreet) gong
    0:47
57. 57
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Laideronnette, Imperatrice des Pagodes (complete)
    3:57
58. 58
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Les entretiens de la Belle et de la Bete- opening
    0:51
59. 59
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Characteristic pattern of two short phrases answered by a long one
    0:36
60. 60
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Clarinet, flutes and violas, with ' sighing' figure derived from downward string motif
    0:21
61. 61
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Varied reprise of opening, entry of the ' Beast '; ' Watch It ! Watch It ! '
    0:32
62. 62
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Again the ' Beast ' growls; again the cautious warning ' Watch It ! ' from the winds
    0:40
63. 63
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Derivative of Beauty's Theme from flute, combined with ' caution motif ' in strings
    0:38
64. 64
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: ' Beast's theme ' rises in pitch with each successive ' gowl ' (representing hope?)
    0:52
65. 65
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: ' Beauty ', ' Beast ' and ' Caution ' motifs all combine simultaneously
    1:12
66. 66
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: ' Beast ' (contra-bassoon) climbs ever higher, handing over to bassoon proper
    0:49
67. 67
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Harp's upward glide heralds the moment of transformation; love song, fear, release
    2:09
68. 68
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Les entretiens de la Belle et de la Bete (complete)
    4:14
69. 69
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Le jardin feerique-Introduction; Opening bars Are unfuuuuuuuuurled by the strings alone
    0:40
70. 70
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: The rhythmic basis, and its guises. First, a question: ' Where went my childhood?'
    1:23
71. 71
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: The question intensified:' Oh where went ... My childhood?'
    0:15
72. 72
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: The answer, with a falling inflection: ' Gone Is your childhood.'
    0:20
73. 73
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: The plea: ' Bring back my childhood!'
    0:14
74. 74
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: The response: ' Seek in ... Your mem'ry. There It ... Will be.'
    0:25
75. 75
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Ravel's use of tone colour to change the feeling of the music
    0:49
76. 76
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Further illustration of the same point
    0:27
77. 77
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Continued
    1:44
78. 78
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: The nobility of the strings
    0:45
79. 79
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Bells evoked by French horns; the final, opulent, moving climax of the whole suite
    1:11
80. 80
    An Introduction to … RAVEL, Bolero and Ma Mere L'oye: Le jardin feerique (complete)
    4:00

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