Bernstein: The 1953 American Decca Recordings

1. 1
   Beethoven: Symphony No. 3 In E Flat, Op. 55 -"Eroica" - 1. Allegro con brio
   14:39
2. 2
   Beethoven: Symphony No. 3 In E Flat, Op. 55 -"Eroica" - 2. Marcia funebre (Adagio assai)
   17:47
3. 3
   Beethoven: Symphony No. 3 In E Flat, Op. 55 -"Eroica" - 3. Scherzo (Allegro vivace)
   5:39
4. 4
   Beethoven: Symphony No. 3 In E Flat, Op. 55 -"Eroica" - 4. Finale (Allegro molto)
   12:10
5. 5
   Beethoven: Musical Analysis (Bernstein On Beethoven´s Symphony No. 3, Op. 55, "Eroica") - "Simplicity Itself..." (1st Movement)
   13:25
6. 6
   Beethoven: Musical Analysis (Bernstein On Beethoven´s Symphony No. 3, Op. 55, "Eroica") - "I Always Feel This Gigantism" (2nd Movt.)
   6:07
7. 7
   Beethoven: Musical Analysis (Bernstein On Beethoven´s Symphony No. 3, Op. 55, "Eroica") - "We Have Just Been Examining..." (3rd Movt.)
   5:26
8. 8
   Beethoven: Musical Analysis (Bernstein On Beethoven´s Symphony No. 3, Op. 55, "Eroica") - "All That We Have Said" (4th Movt.)
   9:12
9. 9
   Beethoven: Musical Analysis (Bernstein On Beethoven´s Symphony No. 3, Op. 55, "Eroica") - "The Study Of The Eroica Is A Lifetime Work,..."
   1:06
10. 10
    Dvořák: Symphony No. 9 In E Minor, Op. 95 "From The New World", B.178 - 1. Adagio - Allegro molto
    8:52
11. 11
    Dvořák: Symphony No. 9 In E Minor, Op. 95 "From The New World", B.178 - 2. Largo
    13:33
12. 12
    Dvořák: Symphony No. 9 In E Minor, Op. 95 "From The New World", B.178 - 3. Scherzo (Molto vivace)
    7:16
13. 13
    Dvořák: Symphony No. 9 In E Minor, Op. 95 "From The New World", B.178 - 4. Allegro con fuoco
    11:26
14. 14
    Dvořák: Musical Analysis: Bernstin On Dvorák, Symphony No. 9, Op. 95, "From The New World", B.178 - 1. "Does This Music Sound Like The New World To You?" (3rd Movt., Trio II; 1st Movt.)
    9:52
15. 15
    Dvořák: Musical Analysis: Bernstin On Dvorák, Symphony No. 9, Op. 95, "From The New World", B.178 - 2. "We Come Now To The Second Movement, Which Has A Charming Melody, ..." (2nd Movt.)
    3:22
16. 16
    Dvořák: Musical Analysis: Bernstein On Dvorák, Symphony No. 9, Op. 95, "From The New World", B.178 - 3. "The Third Movement Is A Marvel Of Ingenuity And Deftness" (3rd Movt.)
    1:40
17. 17
    Dvořák: Musical Analysis: Bernstein On Dvorák, Symphony No. 9, op.95, "From The New World", B.178 - 4. "And Now The Last Movement. In General I Should Say That This Is The Most Slavic Of All" (4th Mov
    5:00
18. 18
    Dvořák: Musical Analysis: Bernstein On Dvorák, Symphony No. 9, Op. 95, "From The New World", B.178 - 5. "The Final Claim Of Those Who Argue For The New World Symphony As American Music, ..." (4th Movt
    1:01
19. 19
    Schumann: Symphony No. 2 In C, Op. 61 - I. Sostenuto assai – Allegro ma non troppo
    12:27
20. 20
    Schumann: Symphony No. 2 In C, Op. 61 - II. Scherzo. Allegro vivace
    6:58
21. 21
    Schumann: Symphony No. 2 In C, Op. 61 - III. Adagio espresssivo
    11:53
22. 22
    Schumann: Symphony No. 2 In C, Op. 61 - IV. Allegro molto vivace
    8:14
23. 23
    Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61 - I. "Robert Schumann Has Been Dead..." (3rd Movement, Opening Theme)
    4:22
24. 24
    Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61 - II. "To My Mind Schumann Follows in This Tradition"
    1:48
25. 25
    Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61 - III. "Now Let´s Look at the Symphony Itself" (1st Movement)
    8:39
26. 26
    Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61 - IV. "And So We Have Arrived at the Allegro Section..." (1st Movement Cont.)
    6:51
27. 27
    Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61 - V. "In The Marvellous Scherzo That Follows..." (2nd Movement)
    4:49
28. 28
    Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61 - VI. "But Perhaps the Greatest Beauty..." (3rd Movement)
    7:31
29. 29
    Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61 - VII. "Even in the Final Movement" (4th Movement)
    5:15
30. 30
    Brahms: Symphony No. 4 In E Minor, Op. 98 - 1. Allegro non troppo
    11:51
31. 31
    Brahms: Symphony No. 4 In E Minor, Op. 98 - 2. Andante moderato
    11:53
32. 32
    Brahms: Symphony No. 4 In E Minor, Op. 98 - 3. Allegro giocoso - Poco meno presto - Tempo I
    6:07
33. 33
    Brahms: Symphony No. 4 In E Minor, Op. 98 - 4. Allegro energico e passionato - Pi allegro
    10:49
34. 34
    Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 1. "Brahms´ Fourth Symphony In E Minor Is Today ..." (4th Movt., Opening Theme)
    4:45
35. 35
    Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 2. "Our Journey Begins Without Introduction..."
    5:15
36. 36
    Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 3. "Do You See Now What A Symphonic Theme Is?"
    3:23
37. 37
    Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 4. "Now, Think Of It - We Have So Far Only Had 44 Bars Of Music"
    5:47
38. 38
    Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 5. "Here Is That Second Theme"
    2:42
39. 39
    Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, op.98, First Movement - 6. "This Brings Us To The Development Section Proper"
    9:34
40. 40
    Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 7. And Here We Are Back Home, Ready For The Rehearing Of The Exposition, ..."
    2:17
41. 41
    Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 8. "So We Arrive At The Coda"
    3:18
42. 42
    Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 9. "Well, We Have Had A Microscopic Look At Symphonic Method"
    2:12
43. 43
    Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique" - I. Adagio – Allegro non troppo
    18:43
44. 44
    Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique" - II. Allegro con grazia
    8:14
45. 45
    Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique" - III. Scherzo. Allegro molto vivace
    9:08
46. 46
    Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale – Adagio lamentoso
    11:17
47. 47
    Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - I. "Now There Is A Melody, A Pure Orchestral Song..." (1st Movt.)
    9:18
48. 48
    Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 2. "Now The Development Section Erupts..." (1st Movt. Cont.)
    1:58
49. 49
    Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 3. "Now One Would Think That Tchaikovsky Had Really Exploited the Device of Scales" (2nd Movt)
    1:56
50. 50
    Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 4. "Jumping Now to the Famous Third Movement, The Great March..." (3rd Movt.)
    1:50
51. 51
    Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 5. "Perhaps the Most Admirable Example of This Is To Be Found in the Wonderful Last Movement, ..." (4th
    3:41
52. 52
    Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 6. "Now I Don´t Want To Give You the Impression That Scales Are the Only Unifying Force in This Work"
    6:01

© 2004 Deutsche Grammophon GmbH, Berlin