EBOOK
Your New Feeling Is the Artifact of a Bygone Era
Chad BennettSeries: Kathryn A. Morton Prize in Poetry5
(1)
About
Shirley Temple tap dancing at the Kiwanis Club, Stevie Nicks glaring at Lindsey Buckingham during a live version of "Silver Springs," Frank Ocean lyrics staking new territory on the page: this is a taste of the cultural landscape sampled in Your New Feeling is the Artifact of a Bygone Era. Chad Bennett casually combines icons of the way we live now-GIFs, smartphones, YouTube-with a classical lover's lament. The result is certainly a deeply personal account of loss, but more critically, a dismantling of an American history of queerness. "This is our sorrow. Once it seemed theirs, but now it's ours. They still inhabit it, yet we say it's ours." All at once cerebral, physical, personal, and communal, Your New Feeling Is the Artifact of a Bygone Era constructs a future worth celebrating.
Related Subjects
Reviews
"It is rare for a book of poems to be both rooted in a consistent thematics while also existing, and therefore thriving, as a place where these themes can live and think on the page and in the world. They declare their own truths without reducing themselves to definitives. Their metaphors act as epicenters, where queerness is not a category or subgenre, as it's often expected to be, but is the onl
Ocean Vuong, Judge 2018
"Just when you think poetry's sort of done everything, along comes Chad Bennett to give it all a fresh makeover. Disarmingly frank, sensual, experimental, and approachable, this is a glorious homage to queer culture as well as a moving personal account of living through the era of change."
D.A. Powell
"In Chad Bennett's poems, the thinking is intimate and the vulnerability razor-sharp. His forms embody the past and the now, and his language is exact and charged; each word, beautifully stapled down, radiates to make visible the contours of the self wrestling with desire and isolation. 'What I hide with my language my body utters,' writes Bennett (adapting Roland Barthes), reminding us queerness,
Eduardo Corral