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In popular culture, Wyatt Earp is the hero of the Gunfight at the O.K. Corral in Tombstone, Arizona, and a beacon of rough cowboy justice in the tumultuous American West. The subject of dozens of films, he has been invoked in battles against organized crime (in the 1930s), communism (in the 1950s), and al-Qaeda (after 2001).
Yet as the historian, Andrew C. Isenberg, reveals in Wyatt Earp: A Vigilante Life, the Hollywood Earp is largely a fiction, one created by none other than Earp himself. The lawman played on-screen by Henry Fonda and Burt Lancaster is stubbornly duty-bound; in actuality, Earp led a life of impulsive lawbreaking and shifting identities. When he wasn't wearing a badge, he was variously a thief, a brothel bouncer, a gambler, and a confidence man. As Isenberg writes, "He donned and shucked off roles readily, whipsawing between lawman and lawbreaker, and pursued his changing ambitions recklessly, with little thought to the cost to himself, and still less thought to the cost, even the deadly cost, to others."
By 1900, Earp's misdeeds had caught up with him: his involvement as a referee in a fixed heavyweight prizefight brought him national notoriety as a scoundrel. Stung by the press, Earp set out to rebuild his reputation. He spent his last decades in Los Angeles, where he befriended Western silent film actors and directors. Having tried and failed over the course of his life to invent a better future for himself, in the end he invented a better past. Isenberg argues that even though Earp, who died in 1929, did not live to see it, Hollywood's embrace of him as a paragon of law and order was his greatest confidence game of all.
A searching account of the man and his enduring legend, and a book about our national fascination with extrajudicial violence, Wyatt Earp: A Vigilante Life is a resounding biography of a singular American figure.
Yet as the historian, Andrew C. Isenberg, reveals in Wyatt Earp: A Vigilante Life, the Hollywood Earp is largely a fiction, one created by none other than Earp himself. The lawman played on-screen by Henry Fonda and Burt Lancaster is stubbornly duty-bound; in actuality, Earp led a life of impulsive lawbreaking and shifting identities. When he wasn't wearing a badge, he was variously a thief, a brothel bouncer, a gambler, and a confidence man. As Isenberg writes, "He donned and shucked off roles readily, whipsawing between lawman and lawbreaker, and pursued his changing ambitions recklessly, with little thought to the cost to himself, and still less thought to the cost, even the deadly cost, to others."
By 1900, Earp's misdeeds had caught up with him: his involvement as a referee in a fixed heavyweight prizefight brought him national notoriety as a scoundrel. Stung by the press, Earp set out to rebuild his reputation. He spent his last decades in Los Angeles, where he befriended Western silent film actors and directors. Having tried and failed over the course of his life to invent a better future for himself, in the end he invented a better past. Isenberg argues that even though Earp, who died in 1929, did not live to see it, Hollywood's embrace of him as a paragon of law and order was his greatest confidence game of all.
A searching account of the man and his enduring legend, and a book about our national fascination with extrajudicial violence, Wyatt Earp: A Vigilante Life is a resounding biography of a singular American figure.
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Reviews
"Meticulous . . . illuminat[es] an entire social milieu . . . Beautifully rendered . . . this new biography is a gem, and includes a touching look at Wyatt's single lifelong friendship with Doc Holliday . . . offer[s] the reader an exciting glimpse into vanished forms of American life. The field of Western history has now entered a phase of precision scholarship, [of] deep research and glorious writing."
The Wichita Eagle
"This brief, well-written, and superbly researched volume reconfigures the life of the western notable Wyatt Earp.... Anyone who reads this important book is not likely to view Wyatt Earp the same way."
Richard Etulain, Journal of American History
"Absorbing . . . Isenberg's brilliance as a historian comes in part from finding the gaps within the myth . . . Wyatt Earp is part biography, part historical nonfiction that reads like a gripping novel. Like David McCollough, Richard Slotkin, Nathaniel Philbruck, and S.C. Gwynne, Isenberg gives us a narrative of the Old West and 19th century America that's at once edifying and exhilarating in its scope."
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