EBOOK

Violence Taking Place

The Architecture of the Kosovo Conflict

Andrew HerscherSeries: Cultural Memory in the Present
1
(1)
Pages
224
Year
2010
Language
English

About

While the construction of architecture has a place in architectural discourse, its destruction, generally seen as incompatible with the very idea of "culture," has been neglected in theoretical and historical discussion. Responding to this neglect, Herscher examines the case of the former Yugoslavia and in particular, Kosovo, where targeting architecture has been a prominent dimension of political violence. Rather than interpreting violence against architecture as a mere representation of "deeper" social, political, or ideological dynamics, Herscher reveals it to be a form of cultural production, irreducible to its contexts and formative of the identities and agencies that seemingly bear on it as causes. Focusing on the particular sites where violence is inflicted and where its subjects and objects are articulated, the book traces the intersection of violence and architecture from socialist modernization, through ethnic and nationalist conflict, to postwar reconstruction.

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Reviews

"Overall, the book Violence Taking Place: The Architecture of the Kosovo Conflict is a thoughtful and detailed study of the complex relationships between architecture and violence. It provides an insightful view of the specifics of the Kosovo conflict and the broader context needed in our attempts to understand the war in former Yugoslavia."
International Journal of Islamic Architecture
"Andrew Herscher's precise and meticulously researched book, Violence Taking Place, argues that not only is architectural destruction a symbol of violence but also that architecture forms a necessary context for violence to take place…Violence Taking Place represents the first architectural history of political violence in relation to historical preservation, and in doing so suggests a new area of
Future Anterior
"In this painstakingly researched study of the destruction and reconstruction of Kosovo's culture-scape, Andrew Herscher brilliantly defamiliarizes received wisdom concerning the relation between monuments and war in general. Keeping his eye on the specificity of this particular environment and on the general characteristics of contemporary conflict at once, Herscher interprellates between what i
Colgate University

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