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About
On January 12, 2010, novelist Dany Laferrière had just ordered dinner at a Port-au-Prince restaurant with a friend when the earthquake struck. He survived; some three hundred thousand others did not. The quake caused widespread destruction and left over one million homeless. This moving and revelatory book is an eyewitness account of the quake and its aftermath. In a series of vignettes, Laferrière reveals the shock, rage, and grief experienced by those around him, the acts of heroism he witnessed, and his own sense of survivor guilt. At one point, his nephew, astonished at still being alive, asks his uncle not to write about "this," "this" being too horrible to give up so easily to those who were not there. But as a writer, Laferrière can't make such a promise. Still, the question is raised: to whom does this disaster belong? Who gets to talk and write about it? In this way, this book is not only the chronicle of a natural disaster; it is also a personal meditation about the responsibility and power of the written word in a manner that echoes certain post-Holocaust books. Includes a foreword by Michaëlle Jean, UN special envoy to Haiti and the former Governor General of Canada.
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Reviews
"Laferrière has a lucid plain-style which may remind American readers of the best of Ernest Hemingway, specifically Hemingway's commitment to writing about the actions that produce emotions, rather than about feelings themselves ... The glimpses Laferriere records of people on the devastated streets of Port-au-Prince accrue to give a deeper substance to the idea of Haitian indomitability."
Slate.com
"Keen observation, incisive analysis and passionate engagement mark this author's account of the 2010 earthquake that devastated his native Haiti ... Through vignettes that range from a paragraph to a couple of pages, novelist Laferrière delivers a knockout punch through prose favoring matter-of-fact understatement over sentimental histrionics."
Kirkus Reviews (STARRED REVIEW)
"A compelling firsthand account with cleverly crafted imagery and skillfully interwoven narrative strands about a country shook to its bare bones, fighting to defeat the shadow of death ... Just as T.S. Eliot's The Waste Land is made up of seemingly disjointed images that work together to create a whole, so too is Laferrière's memoir. It is this 'heap of broken images' to borrow Eliot's words tha
ARC magazine