EBOOK
The Specter of Communism
The United States and the Origins of the Cold War, 1917-1953
Melvyn P. LefflerSeries: Hill and Wang Critical Issues(0)
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The Hill and Wang Critical Issues Series: concise, affordable works on pivotal topics in American history, society, and politics.
The Specter of Communism is a concise history of the origins of the Cold War and the evolution of U.S.-Soviet relations, from the Bolshevik revolution to the death of Stalin. Using not only American documents but also those from newly opened archives in Russia, China, and Eastern Europe, Leffler shows how the ideological animosity that existed from Lenin's seizure of power onward turned into dangerous confrontation. By focusing on American political culture and American anxieties about the Soviet political and economic threat, Leffler suggests new ways of understanding the global struggle staged by the two great powers of the postwar era.
The Specter of Communism is a concise history of the origins of the Cold War and the evolution of U.S.-Soviet relations, from the Bolshevik revolution to the death of Stalin. Using not only American documents but also those from newly opened archives in Russia, China, and Eastern Europe, Leffler shows how the ideological animosity that existed from Lenin's seizure of power onward turned into dangerous confrontation. By focusing on American political culture and American anxieties about the Soviet political and economic threat, Leffler suggests new ways of understanding the global struggle staged by the two great powers of the postwar era.
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Reviews
"So many of [Heaney's] poems have become personal lodestones for us that reading this new book is like awakening to an experience both fresh and familiar. From his earliest poems, he has presented the ordinary sensations of the physical world radiantly, causing us to hear the 'clean new music' of a voice calling down into a well, showed us the 'sloped honeycomb' of a thatched roof or the tactile w
Richard Tillinghast, The New York Times Book Review
"Heaney's craftsmanship is at its most variable. There are poems that approach the sardonic leanness of those eastern European writers his essays so often celebrate. The fifth section of 'The Thimble,' for example, simply reads: 'And so on.' Elsewhere, the language may be layered extra thickly, with adjectives and nouns melding into foursomes."
Carol Rumens, New Statesman & Society