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About
The Muses Among Us is an inviting, encouraging book for writers at any stage of their development. In a series of first-person letters, essays, manifestos, and notes to the reader, Kim Stafford shows what might happen at the creative boundary he calls "what we almost know." On the boundary's far side is our story, our poem, our song. On this side are the resonant hunches, griefs, secrets, and confusions from which our writing will emerge. Guiding us from such glimmerings through to a finished piece are a wealth of experiments, assignments, and tricks of the trade that Stafford has perfected over thirty years of classes, workshops, and other gatherings of writers.
Informing The Muses Among Us are Stafford's own convictions about writing-principles to which he returns again and again. We must, Stafford says, honor the fragments, utterances, and half-discovered truths voiced around us, for their speakers are the prophets to whom writers are scribes. Such filaments of wisdom, either by themselves or alloyed with others, give rise to our poems, stories, and essays. In addition, as Stafford writes, "all pleasure in writing begins with a sense of abundance-rich knowledge and boundless curiosity." By recommending ways for students to seek beyond the self for material, Stafford demystifies the process of writing and claims for it a Whitmanesque quality of participation and community.
Informing The Muses Among Us are Stafford's own convictions about writing-principles to which he returns again and again. We must, Stafford says, honor the fragments, utterances, and half-discovered truths voiced around us, for their speakers are the prophets to whom writers are scribes. Such filaments of wisdom, either by themselves or alloyed with others, give rise to our poems, stories, and essays. In addition, as Stafford writes, "all pleasure in writing begins with a sense of abundance-rich knowledge and boundless curiosity." By recommending ways for students to seek beyond the self for material, Stafford demystifies the process of writing and claims for it a Whitmanesque quality of participation and community.
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Reviews
"A delightful invitation to listen to the unlikely. And although it can be read as a 'how-to' for the writing instructor or writing student, it is more in that it inspires through Stafford's personal anecdotes and thoughtful and philosophical reflections."
North Dakota Quarterly
"Morrissey's impeccably researched history of CENTCOM uncovers the roots of 'national security' as the sacred mantra of U.S. foreign and domestic policy-roots that long predate Donald Trump or even the post-9/11 'war on terror.' The Long War not only sheds critical light on why the U.S. has remained bogged down for a quarter-century in the Middle East and Central Asia in unending war and fossil fu
Carol Bly, author of The Passionate, Accurate Story
"Son of poet William Stafford, Oregon writer Kim Stafford offers a brief, gem-packed primer on the writer's craft, drawing largely from his experiences as writer, teacher, and 'professional eavesdropper.' . . . A rich resource for any writer, but particularly for those who value writing as a path to personal fulfillment."
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