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About
In this provocative work, Alvin H. Rosenfeld contends that the proliferation of books, films, television programs, museums, and public commemorations related to the Holocaust has, perversely, brought about a diminution of its meaning and a denigration of its memory. Investigating a wide range of events and cultural phenomena, such as Ronald Reagan's 1985 visit to the German cemetery at Bitburg, the distortions of Anne Frank's story, and the ways in which the Holocaust has been depicted by such artists and filmmakers as Judy Chicago and Steven Spielberg, Rosenfeld charts the cultural forces that have minimized the Holocaust in popular perceptions. He contrasts these with sobering representations by Holocaust witnesses such as Jean Améry, Primo Levi, Elie Wiesel, and Imre Kertész. The book concludes with a powerful warning about the possible consequences of "the end of the Holocaust" in public consciousness.
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Reviews
"[A] highly readable, intelligently argued account of how the Holocaust is being conveyed and distorted to modern day audiences."
Jewish Book Council
"A model of critical intelligence, restrained in its judgments, never shrill or accusatory in its disagreements, always illuminating in its insights into the motives and achievements of the major Holocaust writers Rosenfeld discusses."
Forward
"For showing us how to remember the Holocaust, and how to recognize many of the ways in which its memory is being killed, we owe Alvin Rosenfeld a debt of immense gratitude."
Wilson Quarterly