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About
Nothing is simple for the men and women in Donald Antrim's stories. As they do the things we all do-bum a cigarette at a party, stroll with a girlfriend down Madison Avenue, take a kid to the zoo-they're confronted with their own uncooperative selves. These artists, writers, lawyers, teachers, and actors make fools of themselves, spiral out of control, have delusions of grandeur, despair, and find it hard to imagine a future. They talk, they listen, they hope, they dream. They look for communion in a city, both beautiful and menacing, which can promise so much and yield so little. But they are hungry for life. They want to love and be loved.
These stories, all published in The New Yorker over the last fifteen years, make it clear that Antrim is one of America's most important writers. His work has been praised by his significant contemporaries, including Jonathan Franzen, Thomas Pynchon, Jeffrey Eugenides, and George Saunders, who described The Verificationist as "one of the most pleasure-giving, funny, perverse, complicated, addictive novels of the last twenty years." And here is Antrim's best book yet: the story collection that reveals him as a master of the form.
These stories, all published in The New Yorker over the last fifteen years, make it clear that Antrim is one of America's most important writers. His work has been praised by his significant contemporaries, including Jonathan Franzen, Thomas Pynchon, Jeffrey Eugenides, and George Saunders, who described The Verificationist as "one of the most pleasure-giving, funny, perverse, complicated, addictive novels of the last twenty years." And here is Antrim's best book yet: the story collection that reveals him as a master of the form.
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Reviews
"In the last few years one of my favorite novelists, Donald Antrim, has devoted himself to short stories--not as finger exercises, but with a combined intensity, delicacy, and feeling for tradition that set him apart from any writer of his generation . . . What is it about Antrim? He writes as if prose were his native language: his sentences have the matter-of-fact pathos and absurdity of dreams . . . His themes are the Chekhovian classics--ambivalence toward the life at hand; yearning for the life that might have been--and he evokes unhappy love with a sensuousness and a subtle, plausible magic that recall Cheever at his best."
Lorin Stein, The Paris Review Daily
"No one writes more eloquently about the male crack-up and the depths of loneliness than Donald Antrim; the stories in The Emerald Light in the Air, hopscotching between the surreal and ordinary, comic and heartbreaking, are dazzling."
Vanity Fair
"The Emerald Light in the Air is a collection of short stories by Donald Antrim, one of the sharpest, funniest, darkest writers of his generation. Mr. Antrim produces so little that every book is an event, and, like everything else he has done, this one is a careful treasure."
Bill Buford, The Wall Street Journal