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About
For over forty years, William Head on Stage (WHoS) has operated as an inmate-run prison theatre, making it one of Canada's longest-standing prison arts initiatives.
Staging Prison Theatre in Canada: Setting the Spotlight on William Head on Stage delves into the story of WHoS through the voices of the men involved, offering a unique criminological perspective that situates their experiences within the prison context.
The analysis explores how WHoS creates an alternative space within the social and emotional realities of incarceration. By unlocking participants' capacities, skills, and confidence, the initiative fosters a sense of agency and community both inside the prison and beyond. WHoS becomes a space for transformation, offering men opportunities to re-imagine themselves and build meaningful connections.
This work underscores the broader significance of arts-based initiatives like WHoS, not only within prisons but also in the fields of criminology, theatre, and community engagement. It offers valuable insights for correctional administrators, criminologists, theatre practitioners, scholars, students, and anyone interested in the intersection of art and rehabilitation.
How do you get a group of twenty-seven incarcerated men, all strangers, to trust you, and to trust each other? For starters, you show up.
We sit down on the prison's couches and stare at the concrete walls, waiting for the men to arrive in the room, tucked in the program building. Some stride in confidently, smiling. Some hover at the door waiting to be noticed. Some are quiet, and some seem to take up all the space in the room. A few arrive late.
The men's reactions mirror our own entrances. We are also entering an unknown place and walking into a culture we know very little about and can never fully understand. For them, stepping through the door is a big step out of their comfort zone and out of all they have known while incarcerated. For us, the encounter forces us to reach deeply into our knowledge and skills, struggling to kickstart a creative process in a restrictive environment. Thana Ridha (Author)
Thana Ridha obtained her Master of Arts in Criminology from the University of Ottawa where she conducted original research on prison theatre in Canada. Her SSHRC funded research and prize nominated thesis represents the first Criminological examination of Canada's long-standing prison theatre, William Head on Stage. Thana's primary research focus is on the use of arts-based initiatives within prison and correctional settings. Alongside this interest, Thana has conducted a range of criminological and correctional research, while also having participated in various presentations and international conferences. Through her role as a researcher with the Correctional Service of Canada, Thana conducted a range of research projects on correctional interventions, operations, and Indigenous-centered approaches. Notably, Thana led a research project examining the experiences of incarcerated men at Indigenous Healing Lodges. Thana is currently a Senior Program Officer at the National Headquarters of Correctional Service of Canada where she oversees projects and initiatives related to correctional program. She is also an Instructor at the Institute of Criminology and Criminal Justice at Carleton University where she teaches courses on research methods as well as seminars related to the criminal justice system.
Sylvie Frigon (Author)
Sylvie Frigon holds a Ph.D. from the Institute of Criminology at the University of Cambridge, UK. She is professor of the Department of Criminology at the University of Ottawa where she teaches since 1993. She is Vice-Dean of Graduate Studies at the Faculty of Social Science. She was Joint Chair of the Women's Studies at the University of Ottawa and Carleton University from 2014-2016 and was Visiting Fellow at Peterhouse, University of Cambridge, UK in 2014 where she currently is Senior Research
Staging Prison Theatre in Canada: Setting the Spotlight on William Head on Stage delves into the story of WHoS through the voices of the men involved, offering a unique criminological perspective that situates their experiences within the prison context.
The analysis explores how WHoS creates an alternative space within the social and emotional realities of incarceration. By unlocking participants' capacities, skills, and confidence, the initiative fosters a sense of agency and community both inside the prison and beyond. WHoS becomes a space for transformation, offering men opportunities to re-imagine themselves and build meaningful connections.
This work underscores the broader significance of arts-based initiatives like WHoS, not only within prisons but also in the fields of criminology, theatre, and community engagement. It offers valuable insights for correctional administrators, criminologists, theatre practitioners, scholars, students, and anyone interested in the intersection of art and rehabilitation.
How do you get a group of twenty-seven incarcerated men, all strangers, to trust you, and to trust each other? For starters, you show up.
We sit down on the prison's couches and stare at the concrete walls, waiting for the men to arrive in the room, tucked in the program building. Some stride in confidently, smiling. Some hover at the door waiting to be noticed. Some are quiet, and some seem to take up all the space in the room. A few arrive late.
The men's reactions mirror our own entrances. We are also entering an unknown place and walking into a culture we know very little about and can never fully understand. For them, stepping through the door is a big step out of their comfort zone and out of all they have known while incarcerated. For us, the encounter forces us to reach deeply into our knowledge and skills, struggling to kickstart a creative process in a restrictive environment. Thana Ridha (Author)
Thana Ridha obtained her Master of Arts in Criminology from the University of Ottawa where she conducted original research on prison theatre in Canada. Her SSHRC funded research and prize nominated thesis represents the first Criminological examination of Canada's long-standing prison theatre, William Head on Stage. Thana's primary research focus is on the use of arts-based initiatives within prison and correctional settings. Alongside this interest, Thana has conducted a range of criminological and correctional research, while also having participated in various presentations and international conferences. Through her role as a researcher with the Correctional Service of Canada, Thana conducted a range of research projects on correctional interventions, operations, and Indigenous-centered approaches. Notably, Thana led a research project examining the experiences of incarcerated men at Indigenous Healing Lodges. Thana is currently a Senior Program Officer at the National Headquarters of Correctional Service of Canada where she oversees projects and initiatives related to correctional program. She is also an Instructor at the Institute of Criminology and Criminal Justice at Carleton University where she teaches courses on research methods as well as seminars related to the criminal justice system.
Sylvie Frigon (Author)
Sylvie Frigon holds a Ph.D. from the Institute of Criminology at the University of Cambridge, UK. She is professor of the Department of Criminology at the University of Ottawa where she teaches since 1993. She is Vice-Dean of Graduate Studies at the Faculty of Social Science. She was Joint Chair of the Women's Studies at the University of Ottawa and Carleton University from 2014-2016 and was Visiting Fellow at Peterhouse, University of Cambridge, UK in 2014 where she currently is Senior Research