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1807, Cambridge, England.
A young woman is murdered in a boarding house, and nobody knows what to do about it. The volunteer watchman, who patrols the streets of this placid college town, has no idea how to investigate a serious crime and the private bounty hunters, the girl's family has hired, to catch the killer employ methods that are questionable, at best.
What Cambridge needs is a hero, and, in a situation such as this, it's very easy for a gentleman with a romantic disposition to mistake himself for one.
19-year-old Lord Byron, the outlaw poet, is a student at Trinity College, though he can only be described as a "student" in the loosest sense of the word: He rarely attends class and, instead, spends his time day-drinking, making love to faculty wives, and feeding fine cuisine and expensive wine to the bear he keeps as a pet.
Catching a killer seems like a fine diversion, however, and Byron decides that solving the crime must take precedence over other, less-urgent matters such as his failing grades and mounting debts.
A young woman is murdered in a boarding house, and nobody knows what to do about it. The volunteer watchman, who patrols the streets of this placid college town, has no idea how to investigate a serious crime and the private bounty hunters, the girl's family has hired, to catch the killer employ methods that are questionable, at best.
What Cambridge needs is a hero, and, in a situation such as this, it's very easy for a gentleman with a romantic disposition to mistake himself for one.
19-year-old Lord Byron, the outlaw poet, is a student at Trinity College, though he can only be described as a "student" in the loosest sense of the word: He rarely attends class and, instead, spends his time day-drinking, making love to faculty wives, and feeding fine cuisine and expensive wine to the bear he keeps as a pet.
Catching a killer seems like a fine diversion, however, and Byron decides that solving the crime must take precedence over other, less-urgent matters such as his failing grades and mounting debts.
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Reviews
"By turns gritty and snappy, Friedman's clever debut novel is like an epilogue to 'Inglorious Basterds,' sixty-six years later."
Alma Katsu, author of The Taker