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A chilling twist on the "cursed film" genre from the bestselling author of The Pallbearers Club and The Cabin at the End of the World.
In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing, art-house horror flick.
The weird part? Only three of the film's scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot.
The man who played "The Thin Kid" is the only surviving cast member. He remembers all too well the secrets buried within the original screenplay, the bizarre events of the filming, and the dangerous crossed lines on set that resulted in tragedy. As memories flood back in, the boundaries between reality and film, past and present start to blur. But he's going to help remake the film, even if it means navigating a world of cynical producers, egomaniacal directors, and surreal fan conventions-demons of the past be damned.
But at what cost?
Horror Movie is an obsessive, psychologically chilling, and suspenseful twist on the "cursed film" that breathlessly builds to an unforgettable, mind-bending conclusion.
"Paul Tremblay's Horror Movie is a brilliant piece about the masks we know about and the masks we don't, the ones we're forced to wear for a lifetime because of our depression and the things we create to make sense of terrible things. He captures the fugue of being young, of finding a bridge to immortality when you're invulnerable, of making mistakes you can't take back. It is intimately heartbreaking and beautifully written, and it's scary in a way that attaches itself to your shame and self-loathing and just starts eating away. It's extraordinary." - Walter Chaw, author of A Walter Hill Film
"Uncertainty is Tremblay's stock-in-trade. Over the last decade, he has grown from hot new thing to horror icon without compromising on his uniquely inexplicable nightmares." - Esquire
"More than a dozen horror stories-weird, self-referential, expertly told. [The] quirkily magisterial title entry delivers a grim vision of hubris and collective apathy . . . It is all, frankly, riveting. . . . What seems to matter, in all these stories, aren't the specifics of a grisly end but the emotions they conjure, the way they tinge our own reality after we turn the page." - New York Times on The Beast You Are
"A tremendous book―thought-provoking and terrifying, with tension that winds up like a chain. The Cabin at the End of the World is Tremblay's personal best. It's that good." - Stephen King
"The Cabin at the End of the World… will shape your nightmares for months-that's pretty much guaranteed. That's what it's built for. And there's a very, very good chance you'll never get it out of your head again." - NPR
In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing, art-house horror flick.
The weird part? Only three of the film's scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot.
The man who played "The Thin Kid" is the only surviving cast member. He remembers all too well the secrets buried within the original screenplay, the bizarre events of the filming, and the dangerous crossed lines on set that resulted in tragedy. As memories flood back in, the boundaries between reality and film, past and present start to blur. But he's going to help remake the film, even if it means navigating a world of cynical producers, egomaniacal directors, and surreal fan conventions-demons of the past be damned.
But at what cost?
Horror Movie is an obsessive, psychologically chilling, and suspenseful twist on the "cursed film" that breathlessly builds to an unforgettable, mind-bending conclusion.
"Paul Tremblay's Horror Movie is a brilliant piece about the masks we know about and the masks we don't, the ones we're forced to wear for a lifetime because of our depression and the things we create to make sense of terrible things. He captures the fugue of being young, of finding a bridge to immortality when you're invulnerable, of making mistakes you can't take back. It is intimately heartbreaking and beautifully written, and it's scary in a way that attaches itself to your shame and self-loathing and just starts eating away. It's extraordinary." - Walter Chaw, author of A Walter Hill Film
"Uncertainty is Tremblay's stock-in-trade. Over the last decade, he has grown from hot new thing to horror icon without compromising on his uniquely inexplicable nightmares." - Esquire
"More than a dozen horror stories-weird, self-referential, expertly told. [The] quirkily magisterial title entry delivers a grim vision of hubris and collective apathy . . . It is all, frankly, riveting. . . . What seems to matter, in all these stories, aren't the specifics of a grisly end but the emotions they conjure, the way they tinge our own reality after we turn the page." - New York Times on The Beast You Are
"A tremendous book―thought-provoking and terrifying, with tension that winds up like a chain. The Cabin at the End of the World is Tremblay's personal best. It's that good." - Stephen King
"The Cabin at the End of the World… will shape your nightmares for months-that's pretty much guaranteed. That's what it's built for. And there's a very, very good chance you'll never get it out of your head again." - NPR