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When published in 1973, Gravity's Rainbow expanded our sense of what the novel could be. Pynchon's extensive references to modern science, history, and culture challenged any reader, while his prose bent the rules for narrative art and his satirical practices taunted U.S. obscenity and pornography statutes. His writing thus enacts freedom even as the book's great theme is domination: humanity's diminished "chances for freedom" in a global military-industrial system birthed and set on its feet in World War II. Its symbol: the V-2 rocket.
"Gravity's Rainbow," Domination, and Freedom broadly situates Pynchon's novel in "long sixties" history, revealing a fiction deeply of and about its time. Herman and Weisenburger put the novel's abiding questions about freedom in context with sixties struggles against war, restricted speech rights, ethno-racial oppression, environmental degradation, and subtle new means of social and psychological control. They show the text's close indebtedness to critiques of domination by key postwar thinkers such as Erich Fromm, Herbert Marcuse, and Hannah Arendt. They detail equally powerful ways that sixties countercultural practices-free-speech resistance played out in courts, campuses, city streets, and raucously satirical underground presswork-provide a clearer bearing on Pynchon's own satirical practices and their implicit criticisms.
If the System has jacketed humanity in a total domination, may not a solitary individual still assert freedom? Or has the System captured all-even supposedly immune elites-in an irremediable dominion? Reading Pynchon's main characters and storylines, this study realizes a darker Gravity's Rainbow than critics have been willing to see.
"Gravity's Rainbow," Domination, and Freedom broadly situates Pynchon's novel in "long sixties" history, revealing a fiction deeply of and about its time. Herman and Weisenburger put the novel's abiding questions about freedom in context with sixties struggles against war, restricted speech rights, ethno-racial oppression, environmental degradation, and subtle new means of social and psychological control. They show the text's close indebtedness to critiques of domination by key postwar thinkers such as Erich Fromm, Herbert Marcuse, and Hannah Arendt. They detail equally powerful ways that sixties countercultural practices-free-speech resistance played out in courts, campuses, city streets, and raucously satirical underground presswork-provide a clearer bearing on Pynchon's own satirical practices and their implicit criticisms.
If the System has jacketed humanity in a total domination, may not a solitary individual still assert freedom? Or has the System captured all-even supposedly immune elites-in an irremediable dominion? Reading Pynchon's main characters and storylines, this study realizes a darker Gravity's Rainbow than critics have been willing to see.
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Reviews
"Herman and Weisenburger bring immense erudition to their altogether fresh study of the work they rightly characterize as a 'towering achievement.' 'Gravity's Rainbow,' Domination, and Freedom is a terrific contribution not only to Pynchon studies but also to our understanding of the cultural matrix within which this author-still America's most important and vital novelist-invented himself and his
David Cowart, author of Thomas Pynchon and the Dark Passages of History
"In Italo Calvino's Invisible Cities, the canals and streets of Esmeralda render every route a 'zigzag.' Worse, the paths of the human citizens get confused with those of rodents underfoot and birds overhead, and in the end, no map can reveal everything, 'solid and liquid, evident and hidden.' Yet now Tracy Daugherty has worked up just such a miracle: a Baedeker to the city of storytelling. Amid t
Charles Francis Williams, American Studies
"Herman and Weisenburger's analysis of Thomas Pynchon's 1973 novel Gravity's Rainbow brilliantly parses the book's nuanced exhibition of freedom amid culturally specific themes of domination. . . . This book is essential for Pynchon enthusiasts as well as for readers interested in niche history of the 1960s without the baggage of clichés tied to popular thinking about unsettled questions of freedo
Library Journal (starred review)