EBOOK
Dead Men Kill
A Murder Mystery of Wealth, Power, and the Living Dead
L. Ron HubbardSeries: Mystery & Suspense Short Stories Collection(0)
About
Detective Terry Lane is a standout homicide cop who thought he'd seen it all . . . until now. As tough as Kevin Costner as Eliot Ness of The Untouchables-and just as incorruptible-Lane has seen the darkest side of human behavior. But he's never seen a murder spree like this, targeting the wealthy, the powerful and the privileged. For the evidence is clear: the killers have not emerged from the seamy underside of the city . . . but from six feet under it. They are the walking dead, spreading terror and showing no mercy. Following a trail of drugs, blackmail, and the twisted clues of a seductive nightclub singer, Detective Lane will have to think outside the box…or he could end up inside one, buried alive. In 1934, while living in New York, the heart of the publishing industry, Hubbard struck up a friendship with the city's medical examiner-a relationship that started his education in undetectable crime and provided him with authoritative clinical background for his detective stories.
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Reviews
"For all those who think zombie literature began with the great Max (WORLD WAR Z) Brooks, think again.Before the dawn of George A. Romero, L. Ron Hubbard (yes, the father of Scientology) wrote a pulp novella called DEAD MEN KILL, which, although probably not the first living-dead opus ever written, first appeared way back in 1934 in an issue of Thrilling Detective. Hubbard's vintage tale has been
Fangoria Magazine
"Hubbard's rollicking horror yarn just happens to tap into the current craze for zombies. Heroic Det. Sgt. Terrence 'Terry' Lane looks into a deeply disturbing series of murders of powerful businessmen. Dawn Drayden, a pretty Club Haitian entertainer, confirms Lane's hunch that the killers are dead men 'coming back from the grave and killing their employers.' The zombie mastermind is the nefarious
Publishers Weekly
"Dead Men Kill is the only zombie horror story Hubbard wrote, and the author succeeds by presenting this questionable subject in a realistic manner. He doesn't try to overexplain, but simply focuses on keeping up the story's quick pace (so we don't think about it too much). Its focus on the Haitian voodoo aspects should appeal to fans of more recent takes on the same subject, such as Douglas Prest
Publishers Weekly