EBOOK

City of Thorns

Nine Lives in the World's Largest Refugee Camp

Ben Rawlence
(0)
Pages
400
Year
2016
Language
English

About

To the charity workers, Dabaab refugee camp is a humanitarian crisis; to the Kenyan government, it is a 'nursery for terrorists'; to the western media, it is a dangerous no-go area; but to its half a million residents, it is their last resort.

Situated hundreds of miles from any other settlement, deep within the inhospitable desert of northern Kenya where only thorn bushes grow, Dadaab is a city like no other. Its buildings are made from mud, sticks or plastic, its entire economy is grey, and its citizens survive on rations and luck. Over the course of four years, Ben Rawlence became a first-hand witness to a strange and desperate limbo-land, getting to know many of those who have come there seeking sanctuary. Among them are Guled, a former child soldier who lives for football; Nisho, who scrapes an existence by pushing a wheelbarrow and dreaming of riches; Tawane, the indomitable youth leader; and schoolgirl Kheyro, whose future hangs upon her education.

In City of Thorns, Rawlence interweaves the stories of nine individuals to show what life is like in the camp and to sketch the wider political forces that keep the refugees trapped there. Rawlence combines intimate storytelling with broad socio-political investigative journalism, doing for Dadaab what Katherinee Boo's Behind the Beautiful Forevers did for the Mumbai slums. Lucid, vivid and illuminating, City of Thorns is an urgent human story with deep international repercussions, brought to life through the people who call Dadaab home.

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Reviews

"[Rawlence] has done a remarkable job, bringing home the reality behind those statistics by telling us what life is really like inside one of those camps... Rawlence's description of the camp economy is fascinating and shocking... A masterful account. Next time someone refers derisively to a 'bunch of migrants,' get them to read this book."
The Sunday Times (London)
"[A]remarkable book…. Like Dadaab itself, the story has no conclusion. Iti is a portrait, beautifully and moving painted. And it is more than that. At a time when newspapers are filled with daily images of refugees arriving in boats on Europe's shores, when politicians and governments grapple with solutions to migration and erect ever larger walls and fences, it is an important reminder that a vast majority of the world's refugees never get as far as a boat or a border of the developed world."
The New York Times Book Review

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