EBOOK
About
"Poetry is language condensed; Blackfoot cartography is landscape distilled."
Cartographic Poetry is the first book-length, multidisciplinary study of five maps drawn in 1801 and 1802 by several Blackfoot and Gros Ventre people for the Hudson's Bay Company. Representing some of the oldest documents created by Indigenous people on the North American prairies and foothills, these maps preserve invaluable evidence about places on the landscape, and about historic Blackfoot views of their territories. The maps were intended as navigational tools, but the landforms and locations on the maps hold significance for the Blackfoot well beyond wayfinding, and have for many centuries. Exploring their content and utility from historical, linguistic, and archaeological perspectives, Ted Binnema, François Lanoë, and Heinz W. Pyszczyk analyze the maps, their place names and features, and the tours and trips they may have supported, along with providing present-day photographs of many of the maps' landforms. A final section of the book outlines how Indigenous maps contributed significantly to Western geographical knowledge and maps of North America from the 1500s onward. Cartographic Poetry will appeal to anthropologists, archaeologists, geographers, historians, cartographers, and to all readers interested in how Indigenous peoples perceived and navigated their territories in this early period of colonial encounter. With a Foreword by Jerry Potts Jr. and an Afterword by Dr. Eldon Yellowhorn. This first book-length study of five maps drawn by Blackfoot and Gros Ventre cartographers in 1801 and 1802 explores the maps' cartographic conventions, utility, and beauty. This first book-length study of five maps drawn by Blackfoot and Gros Ventre cartographers in 1801 and 1802 explores the maps' cartographic conventions, utility, and beauty. 23 maps, 20 B&W photographs
"Cartographic Poetry is the first detailed study of these five Indigenous maps as ethnohistoric documents. The authors describe the cartographic conventions of the mapmakers and provide their identifications of the named places. Given the recent interest in the study of toponyms, this book will be a valuable resource to researchers, members of First Nations communities, and the public." Gerald Oetelaar, Professor Emeritus, University of Calgary
"Cartographic Poetry is a major contribution. It illustrates Indigenous Knowledge of the northern Great Plains as expressed through maps. Indigenous peoples shared their deep understanding of their land and landscape by drawing maps of their world that showed both physical and metaphysical realms." Rosalyn LaPier, author of Invisible Reality: Storytellers, Storytakers and the Supernatural World of the Blackfeet
• Foreword
• A Note on Indigenous Names
• A Note on Orthography
• Preface
• Acknowledgements
• 1. Learning from Early Nineteenth-Century Blackfoot Maps
• 2. The Ac ko mok ki Map of 1801
• The Revised Ac ko mok ki Map of 1801
• 3. Three Indigenous Maps Drawn in 1802
• Ac ko mok ki's Map of 1802
• Ak ko wee ak's Map of 1802
• The 1802 Map by an Unidentified Cartographer(s)
• 4. The Ki oo cus Map of 1802
• 5. Tours and Trips on the Ac ko mok ki and Ki oo cus Maps
• The War Track of 1801
• Ac ko mok ki's Tour of the Old North Trail
• Ki oo cus's Tours of the Northwestern Plains
• 6. Exploring the "Different Tribes" of Ac ko mok ki's Map and the Gros Ventre map
• Ac ko mok ki's "Different Tribes"
• The Gros Ventre's Different Tribes
• 7. Contributions of Indigenous Cartography to Western Cartography
• Bibliography
• Afterword
Cartographic Poetry is the first book-length, multidisciplinary study of five maps drawn in 1801 and 1802 by several Blackfoot and Gros Ventre people for the Hudson's Bay Company. Representing some of the oldest documents created by Indigenous people on the North American prairies and foothills, these maps preserve invaluable evidence about places on the landscape, and about historic Blackfoot views of their territories. The maps were intended as navigational tools, but the landforms and locations on the maps hold significance for the Blackfoot well beyond wayfinding, and have for many centuries. Exploring their content and utility from historical, linguistic, and archaeological perspectives, Ted Binnema, François Lanoë, and Heinz W. Pyszczyk analyze the maps, their place names and features, and the tours and trips they may have supported, along with providing present-day photographs of many of the maps' landforms. A final section of the book outlines how Indigenous maps contributed significantly to Western geographical knowledge and maps of North America from the 1500s onward. Cartographic Poetry will appeal to anthropologists, archaeologists, geographers, historians, cartographers, and to all readers interested in how Indigenous peoples perceived and navigated their territories in this early period of colonial encounter. With a Foreword by Jerry Potts Jr. and an Afterword by Dr. Eldon Yellowhorn. This first book-length study of five maps drawn by Blackfoot and Gros Ventre cartographers in 1801 and 1802 explores the maps' cartographic conventions, utility, and beauty. This first book-length study of five maps drawn by Blackfoot and Gros Ventre cartographers in 1801 and 1802 explores the maps' cartographic conventions, utility, and beauty. 23 maps, 20 B&W photographs
"Cartographic Poetry is the first detailed study of these five Indigenous maps as ethnohistoric documents. The authors describe the cartographic conventions of the mapmakers and provide their identifications of the named places. Given the recent interest in the study of toponyms, this book will be a valuable resource to researchers, members of First Nations communities, and the public." Gerald Oetelaar, Professor Emeritus, University of Calgary
"Cartographic Poetry is a major contribution. It illustrates Indigenous Knowledge of the northern Great Plains as expressed through maps. Indigenous peoples shared their deep understanding of their land and landscape by drawing maps of their world that showed both physical and metaphysical realms." Rosalyn LaPier, author of Invisible Reality: Storytellers, Storytakers and the Supernatural World of the Blackfeet
• Foreword
• A Note on Indigenous Names
• A Note on Orthography
• Preface
• Acknowledgements
• 1. Learning from Early Nineteenth-Century Blackfoot Maps
• 2. The Ac ko mok ki Map of 1801
• The Revised Ac ko mok ki Map of 1801
• 3. Three Indigenous Maps Drawn in 1802
• Ac ko mok ki's Map of 1802
• Ak ko wee ak's Map of 1802
• The 1802 Map by an Unidentified Cartographer(s)
• 4. The Ki oo cus Map of 1802
• 5. Tours and Trips on the Ac ko mok ki and Ki oo cus Maps
• The War Track of 1801
• Ac ko mok ki's Tour of the Old North Trail
• Ki oo cus's Tours of the Northwestern Plains
• 6. Exploring the "Different Tribes" of Ac ko mok ki's Map and the Gros Ventre map
• Ac ko mok ki's "Different Tribes"
• The Gros Ventre's Different Tribes
• 7. Contributions of Indigenous Cartography to Western Cartography
• Bibliography
• Afterword