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The untold story of Dr. Oliver Sacks, his own most singular patient.
The author Lawrence Weschler began spending time with Oliver Sacks in the early 1980s, when he set out to profile the neurologist for his own new employer, The New Yorker. Almost a decade earlier, Dr. Sacks had published his masterpiece Awakenings-the account of his long-dormant patients' miraculous but troubling return to life in a Bronx hospital ward. But, the book had hardly been an immediate success, and the rumpled clinician was still largely unknown. Over the ensuing four years, the two men worked closely together until, for wracking personal reasons, Sacks asked Weschler to abandon the profile, a request to which Weschler acceded. The two remained close friends, however, across the next thirty years and then, just as Sacks was dying, he urged Weschler to take up the project once again. This book is the result of that entreaty.
Weschler sets Sacks's brilliant table talk and extravagant personality in vivid relief, casting himself as a beanpole Sancho to Sacks's capacious Quixote. We see Sacks rowing and ranting and caring deeply; composing the essays that would form The Man Who Mistook His Wife for a Hat; recalling his turbulent drug-fueled younger days; helping his patients and exhausting his friends; and waging intellectual war against a medical and scientific establishment that failed to address his greatest concern: the spontaneous specificity of the individual human soul. And all the while he is pouring out a stream of glorious, ribald, hilarious, and often profound conversation that establishes him as one of the great talkers of the age. Here is the definitive portrait of Sacks as our preeminent romantic scientist, a self-described "clinical ontologist" whose entire practice revolved around the single fundamental question he effectively asked each of his patients: How are you? Which is to say, How do you be?
A question which Weschler, with this book, turns back on the good doctor himself.
The author Lawrence Weschler began spending time with Oliver Sacks in the early 1980s, when he set out to profile the neurologist for his own new employer, The New Yorker. Almost a decade earlier, Dr. Sacks had published his masterpiece Awakenings-the account of his long-dormant patients' miraculous but troubling return to life in a Bronx hospital ward. But, the book had hardly been an immediate success, and the rumpled clinician was still largely unknown. Over the ensuing four years, the two men worked closely together until, for wracking personal reasons, Sacks asked Weschler to abandon the profile, a request to which Weschler acceded. The two remained close friends, however, across the next thirty years and then, just as Sacks was dying, he urged Weschler to take up the project once again. This book is the result of that entreaty.
Weschler sets Sacks's brilliant table talk and extravagant personality in vivid relief, casting himself as a beanpole Sancho to Sacks's capacious Quixote. We see Sacks rowing and ranting and caring deeply; composing the essays that would form The Man Who Mistook His Wife for a Hat; recalling his turbulent drug-fueled younger days; helping his patients and exhausting his friends; and waging intellectual war against a medical and scientific establishment that failed to address his greatest concern: the spontaneous specificity of the individual human soul. And all the while he is pouring out a stream of glorious, ribald, hilarious, and often profound conversation that establishes him as one of the great talkers of the age. Here is the definitive portrait of Sacks as our preeminent romantic scientist, a self-described "clinical ontologist" whose entire practice revolved around the single fundamental question he effectively asked each of his patients: How are you? Which is to say, How do you be?
A question which Weschler, with this book, turns back on the good doctor himself.
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Reviews
"Provide[s] striking glimpses into a remarkable life. Weschler resurrects the interviews he did in the early '80s with Sacks's friends and colleagues, and with Sacks himself, who illuminates his insistence not merely on the humanity of patients who suffered everything from extreme Tourette's to severe amnesia, but also on something spiritual within them . . . Compellingly, Weschler intertwines Sacks's searching empathy with his sheer strangeness."
Daniel Bergner, The New York Times Book Review
"Lawrence Weschler, a staff writer at The New Yorker from 1981 to 2002, has now given us a companion volume to [Oliver Sacks's] On the Move . . . With a rabbinical zest for ideas and disputation, these two Jewish intellectuals exchanged books and essays (by T. S. Eliot, Hannah Arendt, Albert Camus, Thomas Bernhard) and discussed them over Chinese food, or in each other's homes . . . The results are stirring."
Scott Sherman, Times Literary Supplement
"[an] engrossing biographical memoir. This is Sacks at full blast: on endless ward rounds, observing his post-encephalitic patients . . . exulting over horseshoe crabs and chunks of Iceland spar. Weschler ends by speculating that Sacks altered neurological practice itself through his attentive compassion for the patients who feature in his stories."
Barbara Kiser, Nature