AUDIOBOOK

About
The summer that Nixon resigns, six teenagers at a summer camp for the arts form what seems likely to be a lifelong friendship. Decades later the bond remains, but so much else has changed. Through adolescence, the artistic interests and abilities of these six friends have all been indulged, encouraged, and celebrated. But the kind of creativity that is rewarded at age fifteen is not always enough to propel someone through life at age thirty - not to mention age fifty. For the group of friends who met and joined together because of a shared sense of being "interesting," this is a startling and sometimes painful realization. Jules Jacobson, an aspiring comic actress, eventually resigns herself to a more practical occupation as a therapist. Her friend Jonah, a gifted guitarist, puts aside music completely and becomes a mechanical engineer. In wild contrast, however, their two closest friends, now married to each other, have become shockingly successful and famous. Ethan, a brilliant animator, has a hit TV show and franchise. His wife, Ash, has found lasting critical respect as a stage director. What's more, Ethan and Ash also now possess the means and influence that allow their artistic dreams to keep expanding. But what becomes of friendships when two of the friends reach a level of startling success and wealth, and the others do not? And what happens when the person you envy most deeply is also someone you genuinely love?
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Reviews
"Grade A. ...the very human moments in her work hit you harder than the big ideas. This isn't women's fiction. It's everyone's."
Entertainment Weekly
"Wolitzer captures with almost unerring accuracy both the rhythms of conversation and the customs of urban life among this upwardly aspiring, artistically inclined collection of Manhattanites...Years from now, when readers are curious what it was like to be a member of the creative class in New York in the decades just before and after the dawn of the 21st century, they'll do well to pick up this
The Associated Press
"Ambitious and involving, capturing the zeitgeist of the liberal intelligentsia of the era."
Kirkus Reviews