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Combining the honesty, warmth, and humor of “Queenie” and a modern-day Bridget Jones's Diary, this entertaining, transportive, and luminous debut novel from award-winning writer Breanne Mc Ivor follows a young Trinidadian woman finding her voice and a new kind of happy ending.
Bianca Bridge has always dreamt of becoming a writer. But Trinidadian society can be unforgiving, and having an affair with a married government official is a sure-fire way to ruin your prospects. So, when Obadiah Cortland, a notoriously tyrannical entrepreneur in the island's beauty scene, offers her a job, Bianca accepts, realizing that working on his magazine is the closest to her dreams she'll get.
As Bianca begins to embrace her power and creative voice, she starts to suspect Obadiah is not the elite tyrant he seems. She's right. Born in one of the poorest parts of Trinidad, Obadiah has clawed partway up society's ladder and built his company around his meticulously crafted persona. Now, he's not about to let anyone, especially Bianca, see past his façade.
When Bianca's ex-lover threatens everything, she's rebuilt, jeopardizing all she's come to love about her new life, she's surprised to find support from the most unlikely ally and, finally, draws the strength to fight back like her mother taught her.
Sharp-witted and fiercely fun, “The God of Good Looks” alternates between Bianca's diary entries and Obadiah's first-person narrative to portray modern Trinidad's rigid class barriers and the fraught impact of beauty commodification in a patriarchal society. Boisterous, moving, and full of meaty, universally relatable questions, Mc Ivor's sparkling debut is an open-hearted, awakening tale about prejudice and pride, the masks we wear, and what we can become if we dare to take them off.
Bianca Bridge has always dreamt of becoming a writer. But Trinidadian society can be unforgiving, and having an affair with a married government official is a sure-fire way to ruin your prospects. So, when Obadiah Cortland, a notoriously tyrannical entrepreneur in the island's beauty scene, offers her a job, Bianca accepts, realizing that working on his magazine is the closest to her dreams she'll get.
As Bianca begins to embrace her power and creative voice, she starts to suspect Obadiah is not the elite tyrant he seems. She's right. Born in one of the poorest parts of Trinidad, Obadiah has clawed partway up society's ladder and built his company around his meticulously crafted persona. Now, he's not about to let anyone, especially Bianca, see past his façade.
When Bianca's ex-lover threatens everything, she's rebuilt, jeopardizing all she's come to love about her new life, she's surprised to find support from the most unlikely ally and, finally, draws the strength to fight back like her mother taught her.
Sharp-witted and fiercely fun, “The God of Good Looks” alternates between Bianca's diary entries and Obadiah's first-person narrative to portray modern Trinidad's rigid class barriers and the fraught impact of beauty commodification in a patriarchal society. Boisterous, moving, and full of meaty, universally relatable questions, Mc Ivor's sparkling debut is an open-hearted, awakening tale about prejudice and pride, the masks we wear, and what we can become if we dare to take them off.
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Reviews
Narrators Varia Williams and Alexis Rodney are phenomenal in this enemies-to-lovers romance told from a dual point of view. Williams portrays Bianca Bridge, a model and writer who is moving past a scandalous affair with a powerful politician. Rodney portrays Obadiah Cortland, "The God of Good Looks." He is an arrogant cosmetics entrepreneur and fashion magazine editor who hires Bianca for his maga
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