AUDIOBOOK
About
Washington Irving's Old Christmas: The Origin of Our Modern Christmas recounts his visit to Bracebridge Hall, the fictionalized but closely based estate modeled on Aston Hall in Birmingham, where he stays as a holiday guest of the benevolent Squire Bracebridge. Irving guides the reader room-by-room through an authentic early-1800s English Christmas, describing the exact foods on the groaning board-boar's head wreathed in rosemary, spiced goose, mince pies sealed with thick crust, plum pudding flamed in brandy-and even the precise decorations, from real holly branches above the oak mantel to the kissing bough hung with apples, oranges, and ribbons. He records the return of centuries-old customs such as the Yule log ceremony, the Lord of Misrule, and the rural practice of wassailing the orchard trees at dawn to ensure a fertile harvest. These details are not symbolic; they are literal, grounded in the living folklore Irving observed and meticulously documented.
Irving also zooms in on specific characters: the elderly housekeeper Mrs. Bracebridge bustling through the corridors with a lantern in hand, the outspoken parish clerk, old Christy scribbling his notes for midnight service, and the rosy-cheeked village children who gather at the great hall door to sing traditional carols like "God Rest Ye Merry, Gentlemen." He describes the exact games played-snapdragon with flaming raisins in a darkened room, forfeits, blind-man's buff-and the raucous country dance led by fiddler Peter Brush in the candlelit drawing room. Irving captures not just the mood but the literal calendar rhythm of the season: Christmas Eve church bells, the early-morning trek through snow-covered lanes to the parish chapel, and the Boxing Day visits to tenant families around the estate.
Irving also zooms in on specific characters: the elderly housekeeper Mrs. Bracebridge bustling through the corridors with a lantern in hand, the outspoken parish clerk, old Christy scribbling his notes for midnight service, and the rosy-cheeked village children who gather at the great hall door to sing traditional carols like "God Rest Ye Merry, Gentlemen." He describes the exact games played-snapdragon with flaming raisins in a darkened room, forfeits, blind-man's buff-and the raucous country dance led by fiddler Peter Brush in the candlelit drawing room. Irving captures not just the mood but the literal calendar rhythm of the season: Christmas Eve church bells, the early-morning trek through snow-covered lanes to the parish chapel, and the Boxing Day visits to tenant families around the estate.