Images of the Past

Working with prestigious archives of contemporary photographs, the authors chart the history of Britain's fishing heritage with 120 rarely seen photographs. Fishermen were hardy individuals with a precarious existence dictated by the changing rhythm of the wind and the waves. While at sea, their womenfolk cleaned, salted, pressed and bulked the fish. The fishermen of the East Coast are the last of the hunter gathers, in the later 19th and early 20th century British fishery expanded and exceeded its European rivals to become the biggest fishery in the world. Dwindling fish stocks after the Second World War saw the end of the fishing industry as it had been known, now the trawlers had to make the hazardous voyage to deeper waters. This book celebrates the heyday of the British fishing industry, the people, the processes and the vessels.

In addition to being the most bitter industrial dispute the coalminers' strike of 1984/5 was the longest national strike in British history. For a year over 100,000 members of the National Union of Mineworkers, their families and supporters, in hundreds of communities, battled to prevent the decimation of the coal industry on which their livelihoods and communities depended. Margaret Thatcher's government aimed to smash the most militant section of the British working class. She wanted to usher in a new era of greater management control at work and pave the way for a radical refashioning of society in favour of neo-liberal objectives that three decades later have crippled the world economy. Victory required draconian restrictions on picketing and the development of a militarised national police force that made widespread arrests as part of its criminalisation policy. The attacks on the miners also involved the use of the courts and anti-trade union laws, restrictions on welfare benefits, the secret financing by industrialists of working miners and the involvement of the security services. All of which was supported by a compliant mass media but resisted by the collective courage of miners and mining communities in which the role of Women against Pit Closures in combating poverty and starvation was heroic. Thus inspired by the struggle for jobs and communities an unparalleled movement of support groups right across Britain and in other parts of the world was born and helped bring about a situation where the miners long struggle came close on occasions to winning. At the heart of the conflict was the Yorkshire region, where even at the end in March 1985, 83 per cent of 56,000 miners were still out on strike. The official Yorkshire National Union of Mineworkers (NUM) area photographer in 1984-85 was the late Martin Jenkinson and this book of his photographs some never previously seen before - serves as a unique social document on the dispute that changed the face of Britain. As featured in The Yorkshire Times, Sheffield Telegraph and NUJ News Leeds.

A pictorial history of the major man-made calamities that shocked the world throughout the twentieth century. It was a period during which the power and scale of industrialization changed the planet-an unforeseen consequence being the creation of more human-created catastrophes than ever before experienced. The events recorded here include the needless carnage of history's worst air disaster when two jumbo jets collided on the island of Tenerife. We recall the horrors of Aberfan, the Welsh village in which schoolchildren were buried alive. The story of the explosion aboard the Challenger space shuttle reveals how warnings that were ignored led to the deaths of seven astronauts. And we report on the failings that caused the nuclear nightmare at Chernobyl, a poisonous blot on the face of the globe. These and the other tragedies in this book were all man-made and, it seems, just waiting to happen. A further link between these horrific events is that they were all caused by either folly or greed-or both. But despite the tales of monstrous misfortune, many also produced heart-lifting stories of heroism, selflessness, sacrifice, and human resilience.

Working with prestigious archives of contemporary photographs, the authors chart the history of Britain's farming heritage with 120 rarely seen photographs. Nearly eleven thousand years ago humans moved away from hunting and gathering and began to raise livestock and plant crops. Our nostalgia for the way the countryside had been is an enduring passion. Ultimately mechanization began to replace more traditional forms of farming, and the Industrial Revolution was drawing more and more people away from the fields. Photography emerged at a crucial time when farming tasks could be done with a speed and on a scale previously unimaginable. Farming history has been driven by experimentation, innovation, and invention. The 19th century was one of those times marked by such change. This book looks at that pivotal period in history after which the British countryside would never be the same.

A visual portrait of a British city and its people fighting to survive an era of industrial decline, captured by a steelworker-turned-photographer. The social, industrial, and economic changes imposed on the Sheffield area during the 1980s are captured with remarkable clarity in this volume featuring the work of steelworker-turned-photographer Martin Jenkinson. Like many northern England and Scottish cities during that decade, Sheffield went through troubled times, even as parts of southeast England, especially the City of London, boomed. The gap between north and south became a chasm. Jenkinson photographed people in their everyday lives at work and at play. However, where he particularly excelled was his work with the trade union and labor movement, in workplaces and on protests, demonstrations, and pickets. Some of the images in this book capture joy and laughter; some portray suffering. They provide a loud cry for social justice, a better world where unemployment is no more, poverty is swept away, and everyone, black and white, male and female, can enjoy a life where their talents are used for the collective improvement of all. In reflecting on the not-so-distant past, Jenkinson's photographs are about a world we still must aim to obtain.