Detective Simon Ziele

Stefanie Pintoff's combination of vital characters and a fascinating case set amongst the sometimes brutal and sometimes glittering history of turn-of-the-century New York makes for totally compelling reading in Secret of the White Rose, the third novel in her Edgar Award–winning series. The murder of Judge Hugo Jackson is out of Detective Simon Ziele's jurisdiction in more ways than one. For one, it's high-profile enough to command the attention of the notorious new police commissioner, since Judge Jackson was presiding over the sensational trial of Al Drayson. Drayson, an anarchist, set off a bomb at a Carnegie family wedding, but instead of killing millionaires, it killed passersby, including a child. The dramatic trial has captured the full attention of 1906 New York City. Furthermore, Simon's assigned precinct on Manhattan's West Side includes the gritty Tenderloin but not the tonier Gramercy Park, which is where the judge is found in his locked town house with his throat slashed on the night before the jury is set to deliberate. But his widow insists on calling her husband's old classmate criminologist, Alistair Sinclair, who in turn enlists Ziele's help. Together they must steer Sinclair's unorthodox methods past a police force that is so focused on rounding up Drayson's supporters that they've all but rejected any other possibilities.

Following on the heels of Stefanie Pintoff's acclaimed and award-winning debut, A Curtain Falls is a moody and evocative tale that follows Ziele and his partners as they scour the dark streets of early-twentieth-century New York in search of a true fiend. The careers of New York City detective Simon Ziele and his former partner Captain Declan Mulvaney went in remarkably different directions after the tragic death of Ziele's fiancée in the 1904 General Slocum ferry disaster. Although both men were earmarked for much bigger things, Ziele moved to Dobson, a small town north of the city, to escape the violence, and Mulvaney buried himself even deeper, agreeing to head up the precinct in the most crime-ridden area in the city. Yet with all of the detectives and resources at Mulvaney's disposal, a particularly puzzling crime compels him to look for someone he can trust absolutely. When a chorus girl is found dead on a Broadway stage dressed in the leading lady's costume, there are no signs of violence, no cuts, no bruises-no marks at all. If pressed, the coroner would call it a suicide, but then that would make her the second girl to turn up dead in such a manner in the last few weeks. And the news of a possible serial killer would be potentially disastrous to the burgeoning theater world, not to mention the citizens of New York.