Cantor Gold Crime

New York City, 1954.Two women are found murdered. One is Lorraine Quinn, Cantor Gold's most recent one-night-stand. The other is political power broker and aspiring New York socialite Eve Garraway, a regular client of Cantor's stolen art trade.Police nemesis, Lieutenant Norm Huber, wants to pin the murders on Cantor, send her to prison, and put her in the electric chair. He'll get evidence on her any way he can. Into this cauldron of danger and death come two other women, each with ties to Cantor's past. One hates her until passion intervenes; the other harbors darkly hidden feelings.Set during the earliest stirrings of the Homosexual Rights Movement, Cantor begins to question her own tenuous identity, and the trade-offs she must make to get what she wants.Cantor Gold, dapper butch art thief and smuggler for whom survival is everything, must now grapple with two fronts: surviving the shifting sands of the criminal underworld, and navigating the changing tides of society.

New York City, 1955.A golden city of prosperity, energy, the exciting engine of the American Dream. Just underneath, though, is a dark city, with darker ambitions. This is the world of Cantor Gold, dapper art thief and smuggler, who has her own way of securing the rewards of the American Dream. In the conformist 1950s, when same-sex romance was illegal, Cantor decides that any Law that condemns her as a criminal just for her love of women is not a Law she owes any allegiance to. As an outlaw, she thrives earning fistfuls of cash and living life on her own terms. But someone wants to take it all away. Someone wants to rob Cantor of everything: her success in the underworld, her freedom, her life.Predators are out to destroy Cantor: the cops who violently raid the Green Door Club, Cantor's favorite watering hole, where the lights are low and the women are willing; and worse, an unknown predator who threatens to destroy Cantor's life, even destroy the lives of people close to her.Murder is one of the weapons in the hunter's arsenal, involving Cantor in the dangerous fate of each corpse. Another is the taunting, threatening notes that turn up on the corpses or at Cantor's door or at the door of people she visits. And then there are the phone calls and a disguised voice. Someone is invading every minute of Cantor Gold's life.