EBOOK
About
David Russell is associate professor of English at the University of Oxford and a tutorial fellow of Corpus Christi College.
The social practice of tact was an invention of the nineteenth century, a period when Britain was witnessing unprecedented urbanization, industrialization, and population growth. In an era when more and more people lived more closely than ever before with people they knew less and less about, tact was a new mode of feeling one's way with others in complex modern conditions. In this book, David Russell traces how the essay genre came to exemplify this sensuous new ethic and aesthetic.
Russell argues that the essay form provided the resources for the performance of tact in this period and analyzes its techniques in the writings of Charles Lamb, John Stuart Mill, Matthew Arnold, George Eliot, and Walter Pater. He shows how their essays offer grounds for a claim about the relationship among art, education, and human freedom-an "aesthetic liberalism"-not encompassed by traditional political philosophy or in literary criticism. For these writers, tact is not about codes of politeness but about making an art of ordinary encounters with people and objects and evoking the fullest potential in each new encounter. Russell demonstrates how their essays serve as a model for a critical handling of the world that is open to surprises, and from which egalitarian demands for new relationships are made.
Offering fresh approaches to thinking about criticism, sociability, politics, and art, Tact concludes by following a legacy of essayistic tact to the practice of British psychoanalysts like D. W. Winnicott and Marion Milner. "One of the brilliances of this book is to suggest that tact as a mode of thinking can be linked to a type of independence, and imaginative intelligence. . . . [It is] at once provocative and generously open-ended, raising questions about what is at stake in any attempt to read and interpret."---Kirsty Martin, Times Literary Supplement "Learned, beautifully written, and crafted with evident care, Tact is one of those works that, from cover to content, exemplifies the ethos that is its subject." "Russell'sTact is a brilliant and frequently moving study, arguing passionately for the ways in which a greater openness may lead us into richer engagements with our world and doing this by lifting off the film of familiarity that so often obscures from us the canonical writers of the nineteenth century."---Uttara Natarajan, Review in English Studies "[A] joyful and stylish book."---Diane Josefowicz, Victorian Web "This is a momentous book. Tact, with its derivation from touch, becomes, for Russell, the art of feeling one's way, an aesthetic, ethical, and political praxis that enables him to reclaim the essay as the core form, democratic and egalitarian, of nineteenth-century culture. Moving from Lamb, through Mill, Arnold, Eliot, and Pater, to the twentieth-century incarnation of tact in the work of Marion Milner, Russell challenges our reading of major figures."-Isobel Armstrong, author of Novel Politics: Democratic Imaginations in Nineteenth-Century Fiction "A vital experiment in criticism, unlike any I know concerning nineteenth-century prose. David Russell's handling of the essay form, its aesthetics, politics, and history, is continually stimulating."-Andrew H. Miller, author of The Burdens of Perfection: On Ethics and Reading in Nineteenth-Century British Literature "David Russell has written a book of great insight and feeling that does much to improve our understanding of ethos, empathy, and equanimity. In language that is poetic and analytical, Russell describes the essential contract that we must follow if we are to survive our ancient urge to destroy, one that enjoins us to create and imagine with care-and tact."-Hilton Als, winner of the Pulitzer Prize for Criticism "Russell's impressive book is a beautifully written meditation on the interrelation of the essay form and th
The social practice of tact was an invention of the nineteenth century, a period when Britain was witnessing unprecedented urbanization, industrialization, and population growth. In an era when more and more people lived more closely than ever before with people they knew less and less about, tact was a new mode of feeling one's way with others in complex modern conditions. In this book, David Russell traces how the essay genre came to exemplify this sensuous new ethic and aesthetic.
Russell argues that the essay form provided the resources for the performance of tact in this period and analyzes its techniques in the writings of Charles Lamb, John Stuart Mill, Matthew Arnold, George Eliot, and Walter Pater. He shows how their essays offer grounds for a claim about the relationship among art, education, and human freedom-an "aesthetic liberalism"-not encompassed by traditional political philosophy or in literary criticism. For these writers, tact is not about codes of politeness but about making an art of ordinary encounters with people and objects and evoking the fullest potential in each new encounter. Russell demonstrates how their essays serve as a model for a critical handling of the world that is open to surprises, and from which egalitarian demands for new relationships are made.
Offering fresh approaches to thinking about criticism, sociability, politics, and art, Tact concludes by following a legacy of essayistic tact to the practice of British psychoanalysts like D. W. Winnicott and Marion Milner. "One of the brilliances of this book is to suggest that tact as a mode of thinking can be linked to a type of independence, and imaginative intelligence. . . . [It is] at once provocative and generously open-ended, raising questions about what is at stake in any attempt to read and interpret."---Kirsty Martin, Times Literary Supplement "Learned, beautifully written, and crafted with evident care, Tact is one of those works that, from cover to content, exemplifies the ethos that is its subject." "Russell'sTact is a brilliant and frequently moving study, arguing passionately for the ways in which a greater openness may lead us into richer engagements with our world and doing this by lifting off the film of familiarity that so often obscures from us the canonical writers of the nineteenth century."---Uttara Natarajan, Review in English Studies "[A] joyful and stylish book."---Diane Josefowicz, Victorian Web "This is a momentous book. Tact, with its derivation from touch, becomes, for Russell, the art of feeling one's way, an aesthetic, ethical, and political praxis that enables him to reclaim the essay as the core form, democratic and egalitarian, of nineteenth-century culture. Moving from Lamb, through Mill, Arnold, Eliot, and Pater, to the twentieth-century incarnation of tact in the work of Marion Milner, Russell challenges our reading of major figures."-Isobel Armstrong, author of Novel Politics: Democratic Imaginations in Nineteenth-Century Fiction "A vital experiment in criticism, unlike any I know concerning nineteenth-century prose. David Russell's handling of the essay form, its aesthetics, politics, and history, is continually stimulating."-Andrew H. Miller, author of The Burdens of Perfection: On Ethics and Reading in Nineteenth-Century British Literature "David Russell has written a book of great insight and feeling that does much to improve our understanding of ethos, empathy, and equanimity. In language that is poetic and analytical, Russell describes the essential contract that we must follow if we are to survive our ancient urge to destroy, one that enjoins us to create and imagine with care-and tact."-Hilton Als, winner of the Pulitzer Prize for Criticism "Russell's impressive book is a beautifully written meditation on the interrelation of the essay form and th