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From acclaimed biographer Cynthia Carr, the first full portrait of queer icon and Warhol superstar Candy Darling.
"Candy came from out on the Island
In the back room she was everybody's darling."
Warhol superstar and transgender icon Candy Darling was glamour personified, but she was without a real place in the world.
Growing up on Long Island, lonely and quiet and queer, she was enchanted by Hollywood starlets like Kim Novak. She found her turn in New York's early Off-Off-Broadway theater scene, in Warhol's films “Flesh” and “Women in Revolt” and at famed nightclub Max's Kansas City. She inspired songs by Lou Reed and the Rolling Stones. She became friends with Jane Fonda and Lily Tomlin, borrowed a dress from Lauren Hutton, posed for Richard Avedon, and performed alongside Tennessee Williams in his own play.
Yet Candy lived on the edge, relying on the kindness of strangers, friends, and her quietly devoted mother, sleeping on couches and in cheap hotel rooms, keeping a part of herself hidden. She wanted to be a star, but mostly she wanted to be loved. Her last diary entry was: "I shall try to be grateful for life... Cannot imagine who would want me." Candy died at twenty-nine in 1974, as conversations about gender and identity were really just starting. She never knew it, but she changed the world.
Packed with tales of luminaries and gossip and meticulous research, immersive and laced with Candy's words and her friends' recollections, Cynthia Carr's “Candy Darling” is Candy's long overdue return to the spotlight.
"Candy came from out on the Island
In the back room she was everybody's darling."
Warhol superstar and transgender icon Candy Darling was glamour personified, but she was without a real place in the world.
Growing up on Long Island, lonely and quiet and queer, she was enchanted by Hollywood starlets like Kim Novak. She found her turn in New York's early Off-Off-Broadway theater scene, in Warhol's films “Flesh” and “Women in Revolt” and at famed nightclub Max's Kansas City. She inspired songs by Lou Reed and the Rolling Stones. She became friends with Jane Fonda and Lily Tomlin, borrowed a dress from Lauren Hutton, posed for Richard Avedon, and performed alongside Tennessee Williams in his own play.
Yet Candy lived on the edge, relying on the kindness of strangers, friends, and her quietly devoted mother, sleeping on couches and in cheap hotel rooms, keeping a part of herself hidden. She wanted to be a star, but mostly she wanted to be loved. Her last diary entry was: "I shall try to be grateful for life... Cannot imagine who would want me." Candy died at twenty-nine in 1974, as conversations about gender and identity were really just starting. She never knew it, but she changed the world.
Packed with tales of luminaries and gossip and meticulous research, immersive and laced with Candy's words and her friends' recollections, Cynthia Carr's “Candy Darling” is Candy's long overdue return to the spotlight.
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Narrator Justin Vivian Bond emphasizes the drama in the transformation and vivid life of Candy Darling, a transgender performer in New York City in the 1960s and 1970s. This biography recounts her traumatic youth, which included growing up in a dysfunctional family, an abusive father, and being bullied outside her home, as well. From there her journey takes her to her true gender and to superstar
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